This guest post is part of the Turning Points series here on distraction no. 99—in which I asked authors the question: What was your turning point as a writer? Now, to celebrate her release week, here is Rachele Alpine, debut author of the YA novel Canary, sharing hers… and this is an extra-special Turning Point to share, because Rachele is one of my former Mediabistro students!
And scroll down to see who won a signed finished copy of Canary in the giveaway!
Guest post by Rachele Alpine
My first fiction writing course in college was in a small room in the English building with only enough space for a big wooden table. Twelve of us fit around it if we squeezed together, but we couldn’t pull our chairs all the way back or they would hit the wall. I remember the way the floor creaked when my professor walked in and how excited I was when he closed the door and began to speak to us.
I had been waiting to take this class since I signed up for it during freshmen orientation. I loved writing, but had always kept it private. Even though I filled up notebooks full of words all through high school, it had always been a part of me that I didn’t share with many people. I never felt like my writing was good enough to share.
However, I had made the vow to myself that college would be different. I was going to be different. I was so used to holding back with things. I had always lacked confidence and felt like I wasn’t good enough. My life was a cycle of self-doubt, whether it was about academic abilities, talents or how I looked. I would retreat into myself, not sharing my thoughts with anyone but letting them destroy me from the inside. I was my toughest critic and because of that, I missed out on a lot of things during high school.
But I didn’t want college to be like that. I couldn’t let it be like that.
I remember getting back our first stories. I had stapled a page on top with nothing but the title and my name. I opened it up to see what my professor thought of the piece I had worked so hard on. I envisioned feedback and maybe even some praise, but all that was written at the top were the words “This is not writing.”
This is not writing.
There were no other comments anywhere on the story. The only feedback my professor had given me about my writing was a single sentence reconfirming within me everything I lacked.
I’d like to think that maybe he had a reason for writing what he did on my paper. Maybe the whole class got messages like that, and it was his way of pushing us to do better. I hope that was his purpose, but I’ll never know for sure because when our class broke for a break, I took my bag and never went back. I threw my paper in the wastebasket outside the English building, held in my tears until I made it to my dorm, and dropped the class.
I never took another creative writing course in college. Writing became private for me again. I learned my lesson. I had tried to share my writing, and my teacher’s comments had reaffirmed my doubts.
This self-doubt ruled me. Other people’s opinions controlled what I did. It’s silly to think that one professor’s comments were enough to prevent me from doing what I loved. But how do we rationalize what makes us value or doubt ourselves? We can’t.
But what we can do is decide what we do with these doubts. Do we let them define our lives? Or do we push through them, even if the idea of that is often scary and hard?
This question became my turning point.
And my answer was easy…I didn’t want to be defined by my self-doubts.
It took me six years after that first writing class to find the courage to take another. It was my last semester of graduate school, and I signed up for a writing workshop. I remember how nervous I was those first classes, but I soon discovered that things were different there. The class wasn’t run by the teacher. Instead, she set it up as more like a community of writers and shared her early writing with all of us too. I began to find myself looking forward to the class and when it was my turn to share my story, I welcomed what my classmates had to say. We encouraged each other, and the feedback that was given was meant to help the writers, not to silence them.
I realized that everyone is going to have opinions, both good and bad ones. People always do. But you can’t let yourself be ruled by them.
My first professor’s words were only one person’s way of viewing something. It was my reaction to his words that were mine. I could have chosen not to believe them. I could have trusted in myself and proved him wrong. I could have ignored him completely or even laughed that he was dumb enough to doubt my talents.
It took me a long time to understand this. And truthfully, it’s not always easy. I’m still my toughest critic and need to work on having more confidence in myself. But the difference now is that I choose how I respond to the critics, both the one inside my head and those who are around me. I’ve learned how important it is to believe in myself. Because when I trust in my words, my writing can be free, and most importantly, I can be free.
Don’t you want to know more about Rachele’s debut now?
Staying quiet will destroy her, but speaking up will destroy everyone.
Kate Franklin’s life changes for the better when her dad lands a job at Beacon Prep, an elite private school with one of the best basketball teams in the state. She begins to date a player on the team and quickly gets caught up in a world of idolatry and entitlement, learning that there are perks to being an athlete.
But those perks also come with a price. Another player takes his power too far and Kate is assaulted at a party. Although she knows she should speak out, her dad’s vehemently against it and so, like a canary sent into a mine to test toxicity levels and protect miners, Kate alone breathes the poisonous secrets to protect her dad and the team. The world that Kate was once welcomed into is now her worst enemy, and she must decide whether to stay silent or expose the corruption, destroying her father’s career and bringing down a town’s heroes.
Congratulations to Emily! She won a signed copy of Canary by entering the giveaway on this post!
Rachele Alpine is a lover of sushi, coffee, and Michael Jackson. One of her first jobs was at a library, but it didn’t last long, because all she did was hide in the third-floor stacks and read. Now she’s a little more careful about when and where she indulges her reading habit. By day she’s a high school English teacher, and by night she writes with the companionship of the world’s cutest dog, Radley, a big cup of coffee, and a full bag of gummy peaches. Rachele lives with her husband in Cleveland, Ohio, but dreams of moving back to Boston, the city she fell in love with while attending graduate school there.
I know I’ve spoken about this before—maybe here on the blog, maybe at events—but I used to be a really, really shy person. Horribly shy. Talking in front of groups of people, being made to speak, to answer questions, to say what I was thinking, being looked at by people who knew me and by strangers, being judged, was terrifying. So painful, I strove to never have to do it. I was the quiet one in class and in groups, and I still am for the most part. But as we all know, doing events is part of being an author… and recently, I discovered to my shock that I somehow have been able to move past my true shy nature.
My nerves are—mostly—gone before events now.
I find myself able to talk in front of large groups of people now.
I don’t get a splitting headache after events anymore and have to hide myself in a dark room, alone, until it goes away.
The last couple events I had were actually kind of… fun.
HOW did this happen?
It’s a mystery I’m trying to figure out. All I know is I noticed this change in me this spring and summer, after 17 & Gone had come out. I’d hit a bottom with my confidence after Imaginary Girls was published, and during the writing of 17 & Gone in the months after that, but maybe part of hitting bottom is coming to see yourself as you really are. Down there, I found some scraps of confidence that had been there all along. Or… to be blunt… I stopped caring so much about what everyone else thought, or didn’t bother thinking, about me. By the time 17 & Gone had come out, I’d reemerged inside myself with a little bit of defiance, and with far more tempered expectations this time around, and I just thought: This is who I am. This is the book I wrote. And I have things to say about it.
I guess what I’m saying is I discovered my own worthiness. And in doing so, I stopped being so terrified of being in front of people and taking up space in the world. I guess I wrote through my shyness and emerged here, on the other side.
I also started realizing what I could and couldn’t handle from book events.
So here are some things I learned from doing events… a few little tips for shy writers like me:
Not being alone up there makes all the difference. I prefer doing events with other authors. At least three authors on the bill is ideal for me. It helps to not have to be the one person standing up there at the head of the room—it makes for a more dynamic event, and conversation between authors often brings up something interesting that you couldn’t have brought by yourself (especially if you are shy and easily embarrassed like me). But preferring group events is not because I wouldn’t know what to say by myself, it’s mainly because the stress of drawing in enough of an audience just on my lonesome is too much for me. If there are other authors with me, the pressure of filling enough seats to avoid embarrassment is not all on me. That’s because…
The worst part is worrying no one will show up. This, I’ve learned, has become my main source of stress in the days leading up to an event. And connected to this—stressing over not selling a single book in the signing after. I’ve never done an event where I haven’t sold books, or where no one showed up to see me, but I did get close, at an event at a small bookstore near where I’m from. And I learned that if the bookstore is depending on me and only me to spread the word about an event, and it’s somewhere I don’t live now, I can be assured the event won’t be worthwhile. It’s important to only visit stores and libraries that have a circle of readers who regularly attend their events—and stores and libraries that have a proven network to publicize the events as best they can beforehand. My little tweets, blog posts, and Facebook updates about an event aren’t enough.
Don’t assume your friends know you wish they would go. The last New York City (my hometown, now, since 1997!) bookstore event I did I was hoping I’d look out into the audience and see the supportive faces of friends and former coworkers and just people I know here from various ways. But when I looked out into the—not very big at all—audience, I saw one such face: E’s. And no others. Not one person in my life besides my husband had shown up. I didn’t realize how badly I’d wanted people I knew there for support until I saw that no one had come. I never really expressed how much I wished people I knew would come, either. I guess I’d hoped they’d psychically, subconsciously know…. and how is anyone going to do that? I should have asked. But the point is, I learned I can’t depend on other people to make the event okay for myself. I have to make the event okay. Maybe there is someone in that audience who hasn’t heard of me before who will be intrigued enough to pick up my book. Maybe I will say something that will resonate with a stranger. All it takes is one person. That’s why I’m there doing a public appearance, not to fill seats with people who already know me. Besides, I usually do have one supportive face in the audience, and that’s E, my dedicated other half who goes to every event he possibly can. If you have that one person, it can make all the difference.
A new outfit can be a nice distraction. This is very superficial, but it makes the preparation for an event feel a tad better if I get to wear something special to it, something I haven’t worn anywhere else before. I can be uncomfortable in my own skin and don’t like people looking at me, so the outfit choices always have to be comfortable ones. It’s most important that I feel at ease, and this usually involves my wearing my comforting colors of black and dark blue and not wearing jewelry apart from a simple necklace. I have to be myself up there if I want to be able to act like myself. And I’ve learned that the best events are the ones when I do act like myself—I seem to connect with more readers that way.
Try to know what to expect of the event. But always prepare for multiple scenarios. I always ask what I’ll be doing at the event: Reading a section of my book, and for how long? Talking about my book and not reading? Sitting on a panel and answering moderated questions? I really like to know before I get there. But here is something I’ve learned: It doesn’t always go the way the bookstore manager or whoever it may be says it will. For example, I’d prepared a reading for a recent event only to arrive and discover we weren’t reading at all and were only taking questions. The event turned out to be a blast, and I think it helped that, as soon as I discovered we weren’t reading the day before, I thought of all possible questions that could be thrown at me and how I’d answer. I even practiced my answers in my hotel room, yes, embarrassing though that may be. And it turned out that none of the questions I’d anticipated were asked, but by practicing, I had some go-to topics I could speak on if my mind went blank. And that’s the thing…
There is always one panicked, icky moment. I say I don’t get nervous before events anymore—and I don’t, really—but I’ve noticed there is always one nervous, heart-pounding moment during an event and that’s okay… I can live through it. I’ve survived before. I’ll fumble over something I’m saying. I’ll look out at a series of blank faces and feel a rise of panic. I’ll be asked something I absolutely don’t know how to answer… There’s always something. And it’s okay. Oftentimes, the audience doesn’t know how badly you panicked—they see a pause, and then they see you pick up again. The worst freeze I ever had was during a conference workshop, when I started talking and realized I had nothing to say, and kind of circled in on myself like a vulture until I stumbled and stared out at the audience utterly dumbfounded. I will always remember that terrible moment because, for one, it felt like it lasted an hour, and for two, because I know why it happened: Because I hadn’t prepared to talk on that topic. I know myself now, and I know I need to prepare as much as I possibly can.
So back to the multiple scenarios. Because it just helps to be prepared. If I have to do a talk on my book or a reading, I’ve started preparing two ways I’ll approach each event, and it all depends on how the authors before me go. I’ll change, depending. I prepare two readings: one longer; one shorter. Or one serious, one more lighthearted. I’ll think of two ways to approach a talk and I’ll prepare both options. I started doing this after a group event where I went last on the panel, after an author who was VERY funny and who had a great many fans in the audience there to see her. She was hilarious. She talked, casually, and the whole room was laughing and with her and loving her, and then it was my turn. I’d prepared a talk about writing, for writers, that was dry and serious and not funny in the least. I also hadn’t eaten a thing out of nerves and was feeling light-headed and my stomach was growling. This audience was in a cheerful, happy mood, and they were also tired of listening to the five or six authors who had come before me, and they probably wanted me to be light and entertaining and… fast. But I had nothing else prepared. So I went into my spiel, and it took a while and it fell so flat I could have heard the smack. What I should have done is adjusted my presentation on the spot, after knowing I’d come after the funny, delightful author. But now I know: I get too nervous to adjust on the spot—so I should prepare two versions, and then decide on the spot which one to do.
Try to eat, even if you can’t stomach it. I mentioned that I did that event without eating. I have often been too nervous to eat before events, but this did not help me be coherent. I’ve now learned to eat something small, just a little something, beforehand. But to not drink any liquids too much before, so I’m not stressing about having to pee during the signing. (Hey, I’m just being bluntly honest here!) Then, after, I can eat a big dinner and treat myself to Thai food, my comfort food.
Allow yourself a dark, quiet room after it’s all over. When I was doing events for Imaginary Girls, I would always have to excuse myself after, and go lie down, even if it meant missing a group dinner with all the authors who were a part of the event. I’d get splitting, horrible headaches from having been “on” and needed time, after, to recover. Now I know that I might need this recovery time. I haven’t, for the last series of events I’ve done. After, I’ve been able to talk and hang out with authors and be personable. But I know it could happen, and I have to be okay with being antisocial and taking the time I need to regenerate.
Don’t dwell on the one stupid thing you said. Listen, if you’re not a natural public speaker, odds are, you will say something that makes absolutely no sense at some point during your event. Words you wished you didn’t say. Or maybe, after, you will run over and over all the smarter things you could have said. It’s not helpful… It doesn’t make the event feel good to dwell only on the negative moments. It happened. It’s over. Think of the good things: You stood up in front of a room full of people and you didn’t run away or collapse! You spoke intelligible words! You signed books! You made it through, and you smiled, and you appreciated the fact that you were allowed to be there.
Know what you like doing at events, and what you don’t. I like doing readings—that’s my favorite thing. I think because the words are down there on paper already and I don’t have to think on my feet. Also because I like the sound of my words out loud, the feeling of them on my tongue. I like reading my own words, and I like reading other authors’ words aloud, and I like listening to a good reader… it will often make me want to buy a book. So I’m usually more inclined to say yes to an event if it involves a reading. If it’s a “talk,” I am more inclined to say no. I just know what will make me the least nervous, and what I think I’m better at doing in front of people.
Don’t be afraid to say no. Doing an event can take a lot out of you, if you’re shy. When I first started doing book events, I realized that the two or three days leading up to the event were an absolute wash, due to nerves. I couldn’t relax. I couldn’t write. I couldn’t do much of anything. I was that nervous. Now, I am somehow okay, and am grateful for it, but having had that experience and knowing how much events can cost me, I want to be very picky about what I say yes to. This will mean having to politely and kindly decline sometimes—and that may mean you won’t be asked by that organizer, or venue, again. That has to be okay. Your sense of self-preservation—and your time to write—just has to come first.
Appreciate every single person who comes to see you. I remember all the people who said kind things to me at my book events. All of you who have come up to me, all of you who have been there to support me (for example: Logan, who came to see me in Asheville! And the girl who sidled up to me at my Irving Public Library appearance and told me I was her favorite author!), I will never ever forget. You are the people who make these events worthwhile. So to the shy authors: remember these faces. If you’re feeling stressed about an event, remember there actually are people who have come to see you in the past and will come to see you in the future. And how wonderful and miraculous that feels. I remember one event I did where I felt I just wasn’t connecting with the audience—that my non-funny, too-voicey book just wasn’t up their alley, and they wished I could have been someone else. But after, at the very end of the event, a teenage boy who’d been hiding in the very back of the room slowly came up to the table of authors and went straight to me. He was holding one of my bookmarks from the free table and shyly asked for my signature. He said he liked what I read and he couldn’t wait to read more and that he’d get it from the library. He could barely meet my eyes. But I smiled and told him how much it meant to me that he came up to tell me—and it did, it still does. I never got his name, but I won’t forget him. He made the entire event worthwhile to me.
If you are a shy author who has learned coping mechanisms for doing public appearances, please share in the comments!
And, I have one more upcoming event on my calendar… I’ll be reading with Libba Bray in the Fantastic Fiction at KGB reading series on August 21, in New York City at the KGB Bar! Come be a supportive face in the audience for us both!
This week I am visiting Texas for the first time, thanks to Irving Public Library, which invited me to be a part of the Beneath the Surface teen author panel on July 11!
2pm: Author Party—for teens only!
Beneath the Surface Author Party
with Special Guest Authors
Thursday, July 11, 2 p.m.
Central Library Auditorium
801 W. Irving Blvd
Unravel with transformed t-shirts and get fired up over shattered bookmarks & buttons. Meet special guests and authors—Nova Ren Suma, Tessa Gratton, Rae Carson, Tahereh Mafi, Aimée Carter, Ransom Riggs & Jenny Martin, who will be partying with us. Open to teens in grades 6-12.
7pm: Teen Author Panel—open to the public!
Beneath the Surface: YA Author Panel
Thursday, July 11, 7 p.m.
Central Library Auditorium
801 W. Irving Blvd
Dive beneath the surface with authors Nova Ren Suma, Tessa Gratton, Rae Carson, Tahereh Mafi, Aimée Carter, and Ransom Riggs. Led by moderator and author Jenny Martin, they will explore the hidden depths of magic, mystery, fantasy and failed futures. Refreshments, book sales and author signing following the panel. Open to the public. *Books available for purchase thanks toHalf Price Books and the Friends of the Irving Library.