Something happens when you publish a novel for the first time. And I mean after the shock and thrill of selling the book and all those glorious and dazed dream-worthy moments leading up to when the book hits shelves, all tangled up with your hopes and expectations and the promises you may have been led to believe… I mean after, when people outside your writer friends and your agent and editor and significant other and the people who work at your publisher start to read the book. When you see how it performs in the world. How it’s taken, remembered or forgotten. How it’s interpreted, or misinterpreted.
All these other voices start seeping in. Critics. Reviewers. Bloggers. Readers. Goodreads-enthusiasts. Tweeters. Screamers. Whisperers. People at events who ask kind of odd questions. People who sound disappointed. People who seem confused. People who say beautiful things—even and especially the people who say beautiful things.
Maybe this is just me, but I started hearing a lot of voices after Imaginary Girls was published. When I was writing the next book, 17 & Gone, I was hearing them. During every draft, on every page, I was hearing these outside voices, considering their expectations and their confusions and their hopes and their dislikes and likes and food preferences. The little cocoon I used to write in was burst open and slashed by fingernails. I was never alone. My mind was never quiet, even at a writers colony. I couldn’t stop hearing all the things I would do wrong, would screw up.
I fought this and finished the book and it was published… But the experience changed me. I vowed to never put myself in that place again.
When I was writing The Walls Around Us, I decided to be simply and only myself. This led to me choosing a new publisher: Algonquin Young Readers. And this led me also to be honest with myself about what I wanted to do this time. I wasn’t writing for recognition. I wasn’t writing for commercial success, or should I say “success” because the idea of that changes with every new hoop I jump through. I stopped caring so much—honestly, I began to not care much at all—what would be expected of me from my next book or wanted from me or what would disappoint. I wanted to write this story the best way I could, and nothing more.
Like I’ve said before, I wrote this book for me. Completely and entirely for myself, in the way I wanted it to be. And in these past months while I’ve stayed quiet on this blog, I was revising and working with my brilliant editor who helped me reach my vision, and the book was finished, polished, sent off, and copyedited. Next there will be ARCs.
The other week, while I was reviewing the copyedits, I allowed myself one last read-through of the manuscript. A close, careful read. A scrutinizing read. A chance to pick myself apart and be honest about how I felt about what I’d written.
I kept my ears open for those voices I remembered flooding me during the writing of 17 & Gone.
…But there was a clearer voice. Mine. And I finished my last read of my book with this strange, new, itchy feeling inside me.
I’ve never felt so content with anything I’ve written—EVER.
I found this note on the last page of the copyedited manuscript:
It was wonderful to see that, and I will never forget it.
But the best feeling was knowing I stayed true to myself… and after a whole ton of work, because yes I did work hard on this, I was able to make the book into everything I’d wanted it to be. I stood there on the creaky, slanted, wooden floor in my living room, and I felt myself in my own skin, the weight of my well-read pages in my hands, and I told myself to remember this moment.
No matter what happens after (after the book comes out, after, after, after), I have this.
Remember the good things, writer friends. Hold them close. Keep them safe. Try not to let the outside voices drown them out.