Writing a Novel Is

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Writing a novel is a mess right now. I’m close, but I’m not done yet. I’m not done yet, I’m not done.

I don’t know what I’m trying to say, is the truth of it. I don’t know what I should say. I don’t know what my words mean. I haven’t found the meaning yet, though I’m digging in the dirt still and I’ve pulled out some stones and I’ve got a good hole going, I’ve gone deep in places even though so much is still so shallow.

Writing a novel is the most difficult thing and also the easiest thing in the world, because what else can I do? I said it was a gift to be allowed and able to do this, didn’t I? I told myself to not forget that the last I wrote here, didn’t I?

The worst of it is wanting to say something important, something memorable, especially when you’re surrounded by a fog and your mouth is full of jelly and everything itches with possibility but you can’t scratch every spot, you only have two hands.

Writing a novel is a messy pursuit. This close to deadline I’ve taken to wearing the mess on my sleeve—hair a jumble, roots screaming, T-shirt occasionally on inside out and I don’t realize until hours later. Makeup? I laugh. Bumping into signposts on the street? Yes, that was me, I’ll try to pay better attention.

I used to tell myself I could not do something. I would set limits. I would say, “I am a slow writer. A good day is five hundred words.” Then I blast through that number with barely a glance over my shoulder and I realize I can do things I thought I couldn’t. And also, I put myself in a small box. And also, I don’t do well when there are rules. And also, every book is different and if you sit in the audience at an author panel you’ll hear that a thousand times and you’ll be like yeah, yeah, yeah, but in fact it’s true.

Writing a novel is an exercise in hope. You hope you can finish it, first off. If you have an agent or an editor, what you are hoping is that your agent or your editor will see a spark in there somewhere and help you finesse and dig it out. If you don’t have those people yet, you are hoping this novel will be the way to lasso them to you. If you are not yet published, you hope this will be the one. If you have been published before, you hope you won’t get kicked off the boat. You hope to not disappoint anyone. You hope to not disappoint yourself. You hope you will make it to your pub date and an actual book will come out. You hope, too, that you make it through the gauntlet of reviews. That people will read it. Yes, that actual living people will read it. Will anyone? Will anyone? Three years between books—is that too long, is that too late?

These are not things you should think about when you’re writing.

Instead think of how it will feel when it’s all over. Think of how you can print out the novel then, and allow it to take up physical space in the real world. Only the space of it. The weight of it in your hands. The weight of all your work. Lie down on a bed, set it on your stomach, feel it hold you steady. You did this. You wrote a novel.

Yes, that moment will come if you keep working.

You just need to finish it first.

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