I first read The Handmaid’s Tale when I was 12 years old in the late 1980s. I discovered it on my mother’s bookshelves, and I was fascinated by the story, not scared as much as I should have been but stilled by possibility, intrigued. I surely didn’t understand a lot about the book (much as there were things that went way over my head when I read her copy of Fear of Flying), but I carried it with me as I grew. From this and other books, I decided I was a feminist. I also decided I wanted to write books of my own like Margaret Atwood. In my latest novel, I used an epigraph from The Handmaid’s Tale, and the light flickering in my heart when the author (through her assistant) gave me permission to use the quote was glorious.
After watching the first three episodes of the Hulu series last night, I wonder if this book influenced the kind of woman I decided, young, I wanted to become: independent, ignoring traditional gender roles, not under the thumb of any man. I didn’t want to marry, but falling in love and wanting to give my boyfriend health insurance changed that, so after a quick visit to City Hall married I am today—together going on 23 years; we would have been together no matter a piece of paper. But when I was young, when I didn’t see marriage in my future, my ambition was to be a professional woman as well as a single mother. I decided as a teenager that I didn’t want children after all, and I’ve stuck to that over these decades—it’s always felt to be the right choice. I wonder now how I came to these decisions so young and if the books I read—The Handmaid’s Tale high up among them—led the way. The ambitions I built for myself were men’s ambitions, the dreams giant dreams I was determined to go after even though I was small. Even though I was shy and quiet and if you’d known me then, you may not have realized I had it in me. Oh did I. I’ve since reached a number of those dreams and stared those ambitions in the face. I’m living the life I told myself I could even though there were men in my life who said it wasn’t possible, who laughed at me. I would have died if forced to fit the ideal of a “woman” for someone else.
When I was 12 years old, The Handmaid’s Tale felt far away—it felt like an other reality, impossible to ever find ourselves in now. I didn’t understand so much. Last night, as I watched all three available episodes in a row before bed, the reality on the screen didn’t feel as far away as I expected and remembered. It didn’t feel so impossible and other. When women were dismissed from jobs that male coworkers could keep I bristled. When women’s bank accounts were closed and the funds given to male spouses or male next of kin, I felt alarmed. When women were no longer allowed to own property, to have any control over their own lives in the first of many growing ways, when women were accused of being “gender traitors,” and more and more, I began to see how something totalitarian and terrible could come to pass perhaps here, perhaps one day, and never before did I feel that after the few times I reread this book over the years. Naive? Or, since the election, has the world I know changed that much?
The adaptation is a good one so far, and I usually hate when a novel I loved is brought to the screen.
Look, it has been difficult to write much of anything that feels worthy lately, living in this world. This morning the news is a child suicide bomber who killed 50 people at a wedding. The suicide bomber was no older than 14. There is flooding, and people have lost their homes. There are fires, and people have lost their homes. There are so many people in this city right now who don’t even have a home. I walk through the park early every morning to get to this place where I write, private, paid-for, electric key fob for entry, twenty-four hours a day someone guarding the door downstairs, and all around me in the park I cut through, people on the benches sleeping, huddled, sleeping on the grass, backpack protected in their arms or under their heads, sleeping sometimes with their cardboard signs “please help me get home.” In the winter, in the snow, someone made an igloo behind the benches, a fort really, a white belly in which to sleep, but I wonder if the cardboard on the ground kept out the cold. In the morning, it was empty, but I imagine for some hours of the night it was safe inside. In summer, people sleep out in the open. It’s hot. Two girls on a bench in the middle of the park, one lying down with her head in the other’s lap, the other sitting upright, guarding every door, but her eyes had closed. She’d succumbed to sleep. I wanted to stay and watch their bags for them, so nothing would get stolen, but I kept walking, it’s not for me to look. There used to be a woman who danced around a cardboard box in the mornings, a handwritten sign on it saying she wanted to open a dance school, a frightening frenzy in her eyes that kept me from looking her in the face and I feel guilty for it, but she is gone, I haven’t seen her in a few mornings, more, maybe, I wasn’t paying attention, I didn’t count. Sometimes I think about how that tree nearby was where people used to be hung. There was a young man with intricate tattoos who slept on a flattened box under the construction awning right outside the building where I write. He slept on his back. He twitched in his sleep. I wonder what he dreamed. One morning his sign said, “I wish I was dead.” He is gone, too. This morning, two men with loaded carts were there in his place, fighting. I walked the curb like a balance beam to avoid them. Sometimes I get yelled at if I come too close, What are you looking at? But I wasn’t looking. The worst thing is we’ve been taught not to look.
Today, they got my order wrong at the café, but I didn’t say anything, pretended I didn’t mind, though I did. I mind so much. But who am I and does it even matter? Today, I don’t think there’s any air-conditioning on at my writing space. I guess because it’s Sunday. I guess because most people are away on vacation. But I’m here and I have nowhere to go on vacation, and I’m trying to write, and I’m hot. I think about the absurdity of my life all the time now. I was flown to a small city in South Carolina two weeks ago to talk about a book I wrote. I stayed in a nice hotel and whenever I was in my room, I wore the hotel’s robe. I never thought I would be the kind of person who would be flown somewhere and stay in a place that had a special robe. So I wore the robe. I got every last second I could out of that robe. I don’t even know if anyone cared that I was there at the book festival, but I did. Who am I, I thought, and why is this happening to me? I stared in the mirror at myself in the hotel’s white robe, just made myself stand there, just made myself look.
I have two weeks left to finish my novel. The deadline is real. There is so much more I want to say that I haven’t yet gotten down in words, and the jumble of them and the stress and the worry of being good enough and the panic of what might happen if I’m not. And yet, think of it, look: You are writing a book. What kind of life is this? I may have dreamed of it when I was young, but in a hazy way, on a cloud, for lucky people, unreachable for someone like me. I’ve always wanted impossible things, things I should not want, things someone should take away out of my hands. That’s my personality. I had an innocent crush on Axl Rose when I was fourteen years old. I only recently learned that he’s a monster. I had posters on the wall of a monster when I was fourteen. There were things I wished for then, I can vividly see them. I wanted someone to love me. I didn’t know if anyone ever would. I am in my room with the door locked and outside my stepfather is making noise in the kitchen, loud, so I can hear it. Back then, he was the monster I knew. My world was so small then, it was bad and small and I was nobody and I was nothing and no matter how many times I wished for all the things, I never thought I would be sitting here decades later, loved, and with my dream come true. My book is due in two weeks. Someone wants to publish a book of mine, and here I am writing it. I looked across the table at the person I love last night, who loves me back, and he has brown eyes, dark, deep, I could never get tired of staring at them, but when I was fourteen I didn’t know for sure if he would even exist. He looks nothing like Axl Rose.
There is a girl who killed her father with a gun. Was that yesterday’s story in the news? Was that last week’s? She was protecting her family, her mother, her siblings. For years they had been abused by this man, terrorized by him, watched him flaunting that gun, and the police didn’t help and no one helped and so what did the girl do? What did she do for her mother, for her siblings, for herself? She got that gun, and she waited for him to be asleep on the couch, and she shot him in the head.
She turned fourteen in jail. This is true.
Her mother called the girl her hero. Also true.
These are only some of the things happening in the world, and here I am, in my private locked space, writing a story I made up in my head? There are no monsters on my wall anymore. This morning, I tell myself, Just get the words down. The words for this story. That’s all you have right now. Your book is due in two weeks, and it’s not going to be what you want it to be, not yet. The world is going on without you. Let it. There will be another terrible thing tomorrow; you will read about it; you may cry. You will take it in, you will carry it, you will worry, you will think of how small you are, but you are here and so many people in the world have nothing and you should never forget that.
Yes, there are bad things everywhere, all around you, but you have been given this gift and you can’t squander it. Look.
But if you like to hold a book in your hands, I will also tell you this: The paperback edition of The Walls Around Us comes out this month, on March 22.
You are invited to come celebrate the paperback release with me at my favorite neighborhood bookstore, McNally Jackson in New York City, with one of my favorite YA authors, Courtney Summers, on Tuesday, March 29, at 7pm! This event is free and open to the public! You can RSVP on Facebook here.
This year was an external year. I was more public than ever before. I did so many things in front of people. I talked about my book in front of strangers more times than I can count. I spoke on stages, from podiums, in front of classrooms and bookstores and libraries, in circles of chairs. I met many readers, many librarians, many teachers, many bloggers, many people who were kind and welcoming to me. I met many fellow writers. I worked with dozens of writers on their novels. I taught three writing workshops and two writing classes at universities. I mentored multiple talented novelists. I spent most of my time reading other people’s books, to the detriment of my own. I kept thinking about my career as a whole, my path, my plan and how to be a teacher and a writer, but teaching took precedence. I worked on ways to build my c.v. and gain experience and I learned so much and I’m surprised, even still, at all I was able to do. Most of all, I published a book I’m immensely proud of, a book wholly and deeply me, and I survived it.
Now I’m hoping for something different for next year, for 2016.
This year was all about the external. I want 2016 to be more internal.
My schedule may be packed the first few months of this year, but I also don’t want to forget that other significant part of my life, the whole point of all of this, the reason I am here at all:
Tomorrow I’ll be coming up with my goals and writing wishes for 2016 and I’m thinking about the novel I’m writing now, and the novel I put aside, and the novels I haven’t yet written, and all the short stories I wish I could just write…
…and I want to find a no-pressure, positive way of shining a light on those things, too.
What if it’s a simple, small thing?
In 2016, I want to write something that feels true.
In 2016, I want to write a short story again.
In 2016, I want to try writing in third-person.
In 2016, I want to take on something surprising.
In 2016, I want to write about the deep past.
In 2016, I want to start something new.
I’m trying to think of what mine might be—perhaps one of those possibilities above.
All we can control for the year ahead is what we can do with our own two hands, and it doesn’t have to be outlandish, it doesn’t have to be everything. It can be one small thing… for you.
At the end of every year, I have hope for the new year. Every year, I think of all the things I could make happen… all the things I want to try for, all the ways I might do better, do more… I am extremely ambitious, many times blindly and to my detriment, and it’s my ambitions that are always staring me in the face when I reach the last days of December. I get to the end of the year and I look back on all the things I didn’t accomplish and the guilt trip commences.
I have a box in which I wrote down all my goals for 2015 on little slips of folded paper, and I’ll be opening it on New Year’s Eve to see what came true and what didn’t. I can’t remember what they all were… but I am positive there are more than a few in there that I didn’t reach. I happen to know, too, that at least one important wishful goal actually did happen… and I get a lightning-zing of excitement knowing it did.
I’m not in the mood for my usual guilt trip this year, I have to admit. I don’t feel like I failed. In fact, I feel pretty great about what I was able to do this year, considering. I may not have written as much as I planned to in 2015—to be clear: not even close—but I’m seeing that this was a year about something else that was significant in moving my plan for the next chapter of my life forward. This was about other parts of my life, my public life, my teaching life. I may have disappointed myself as a writer, but as an author, and as a teacher, I surprised myself like whoa.
For me, 2015 was a mix of these things:
Publicly, this has been an extraordinary year for me. I had written a whole other blog post about how strange and shy I felt about seeing The Walls Around Us named to a number of Best of 2015 lists, something that didn’t happen with my previous books, but I ended up feeling too strange and too shy to even publish that post. But that did happen to The Walls Around Us. It happened… to me. I’ve never ever ever had the kind of response to a book I wrote until this year. The words I have said about this (“I am honored” “I am shocked” “I am thrilled”) feel utterly inadequate, so I will go wordless here . . .
The year of 2015 was also extraordinary for another reason: This was the year I did more public appearances and events and author-things than I ever have before—things that would have caused me to panic and want to hide my head in the sand before, things I never would have thought possible, knowing how shy I used to be. But things I had always wanted to be asked to do.
This year was the first time I was sent to a conference by a publisher. (ABA Winter Institute in Asheville, North Carolina, was my first-ever publisher-sponsored conference! I didn’t know how to be an “author” and took the subway home from the airport instead of a cab because I wasn’t sure if taxis were really okay!) After Winter Institute, I was sent to a number of other conferences, culminating with NCTE/ALAN in Minneapolis, and leaving me feeling proud of myself, amazed, and… I’ll admit… exhausted.
This was the year I had my first-ever launch party for a book I wrote—I was too shy to do this before. It was at my favorite local bookstore, with one of my favorite authors, and it went so well that I went away saying I don’t think I’ll ever need to do a launch event ever again.
I am immensely proud of myself for doing these things, and doing them well (I would say; I hope others agree!), and I’m also so grateful and happy that my publisher invested in me and thought I was worthy enough to send to conferences and festivals.
Here are some photo highlights from this whirlwind year of events (click the images for the full caption):
My first-ever publisher-sponsored conference: Winter Institute in Asheville. I’m sharing a signing table with Gwenda Bond!
Here I am with my incredible Algonquin Young Readers editor, Elise Howard!
My first-ever launch party… and I was interviewed by one of my favorite authors (and a good friend), Libba Bray
At a book signing at Odyssey Bookshop in South Hadley, MA. This reader drove for hours with all of my books to get signed! So honored!
Signing books at my first-ever ALA conference
A YA Trio event at McNally Jackson with darlings Maria Dahvana Headley and Camille DeAngelis
Moments before my panel at the Texas Book Festival (kind of nervous)
Interviewing Kim Liggett at her launch event for BLOOD AND SALT
Having a blast at BookPeople in Austin, Texas, with Suzanne Young
Signing the Writing Barn in Austin, Texas, after teaching a week-long workshop there
This was also the year my teaching began to really take flight. I taught three private workshops at retreat centers. A dream came true when I taught a class this summer at my alma mater, Columbia University. And I was hired to join the faculty at Vermont College of Fine Arts, something I’d been dreaming about for years!
The Walls Around Us was reviewed (so very well!) in The New York Times. It collected stars. It made those end-of-the-year lists I never found myself on before. It made the Indie Next List, something I have always wanted.
This was also the year that I had a short story published in an anthology, another one of my dreams.
Talk about a pinch-worthy year.
Extraordinary, yes, oh yes, a thousand times yes.
But what about what was going on behind closed doors?
Privately, I’ve been… distracted, overwhelmed, and having trouble writing something worthy enough to follow The Walls Around Us. There. That’s the honest truth.
Partly it was all the public events I was doing—my first time for so much of this—and the toll that took on me, after. There was a lot of recovery time, I kept getting sick and facing migraine headaches and other issues, and I found myself needing to retreat, needing to tunnel inside myself, needing to isolate, desperately needing to be alone.
For long stretches—and especially as the year comes to a close—I find that the only person I can be near is my love, E, who understands this part of me and knows how I get when I’m overwhelmed. He has a calming vibe I need right now. I feel better just sitting next to him, resting my head on his shoulder, holding his hand.
Looking back now on 2015, I realize with a start that I became much more isolated than ever before, and have pulled away from many people. I’m not sure why I’ve put up this armor and hidden myself inside it, except that I think I needed to get through so much of the public part of my life and this was my best way to cope.
It’s made me melancholy though, at the end of the year during the holiday season, realizing how much I’ve isolated myself and how many people I’ve pushed away.
Then let’s talk about word count. Or better yet, let’s not.
Creatively, this was not a good writing year. The book I thought I had made progress on by the end of 2014 ended up not doing it for me anymore in 2015, and I made the difficult and terrifying decision to put it aside for now and work on something else. That means I’ve lost a year out of my publishing schedule, and I’m still not close to finishing a draft of the new book to turn in. I keep thinking of what some kind people are saying about The Walls Around Us, and I keep asking myself, Is this good enough? Is that the best I can do? Will I ever write anything I’m that proud of again?
I don’t know, but I am trying.
I also had a series of rejections all throughout the year to pretty much everything I applied for, but I have no bad feelings about it, because I know I’ve been lucky in the past. It’s not my turn right now. I’ll try again for some new things in 2016. I’ll keep trying.
What do I see ahead for 2016? A whole lot of hopes.
My first semester teaching for Vermont College of Fine Arts begins in January. I’m hoping my first residency and semester goes well—I’m hoping it’s a good fit, for me and for them. My biggest hope for 2016 is finding a permanent teaching home, and I hope VCFA will be it.
I’m also working on that second book on my contract with my publisher, Algonquin. I will have a draft in my editor’s hands for sure in 2016, even with the little misstep I took this year. I’m hoping I can make it wonderful. I am hoping my editor loves it. I am hoping I love it.
I also hope to continue publishing with Algonquin and sell a new YA novel to them in 2016, but I have to finish this one first, so I’m hoping to be very, very productive so I can make both of these things happen.
And on a personal note, I hope that, in 2016, E and I are able to find ourselves a new home.
I ended last year in Sylvia Plath’s attic studio at an artists colony, thinking I was writing the next book I would publish (the one I ended up shelving), terrified about what the first trade reviews of The Walls Around Us would bring (and then they were shockingly wonderful), hoping I would be able to find a new teaching job that would help me balance my career (I found more than one).
I end this year at home in New York City, just having spent a solitary day alone at my writing space. I just had the most extraordinary year of my career, and I am intensely grateful. I have no new book coming out in 2016, so I have nothing to be so terrified about, do I? I have a lot of teaching to do, and a wildly intense schedule for the first half of the year that includes VCFA and two back-to-back Djerassi workshops. I have a book due. I really, really have a book due. And I have these giant ambitions, these hopes, these wants, these desires, these what-ifs.
To everyone who was a part of making my 2015 so incredible in so many ways: thank you, thank you, thank you.
To anyone I pushed away in 2015 because I was so overwhelmed and needing recovery time on my own: I hope you understand and can be patient with me.
I’m struggling with something, an ongoing thing I’ve been struggling with for years. It’s about the novels that live under my bed. The two unpublished novels I wrote before I almost gave up writing, and then discovered ghostwriting, and, soon after, YA.
Two novels totaling eight and a half years of my life.
Two novels encompassing almost the entirety of the writing work done in my twenties.
Two novels that, in their own distinct and specific ways, broke my heart.
Every once in a while, I think of them, the way you’d think of an old love, someone who disappointed you deeply, but someone who meant a lot to you way back when. Someone who could’ve been a real and solid someone… if only things had gone another way.
I’ve only ever been in love once—with a human—but with books? I fall in love with each one I’m writing, over and over, again and again.
Lately I’ve been thinking back to my first novel.
I think that’s because an important yet tiny little piece of The Walls Around Us was taken from this novel, and snatching that piece and heading off into the sunset with it got me thinking about it again.
Today, the day after spending Thanksgiving at my mother’s house, I found myself drawn for no conscious reason to the cobwebbed recesses of my hard-drive, where some old drafts of the very first novel I ever wrote can be found. This book was my heart in a shameless, undeniable, mortifying way. It was more autobiographical than a novel should be, and it’s not something I could publish as is now, even if I had the opportunity, because many of the people in this story are still out there, living. It would have to be rewritten if I wanted to do something with it. I know this… and the weight of that has stopped me every time.
Even so, every once in a while, every few years, I take this manuscript out of its dark place, and I consider it.
I think of what could be done and redone.
I think of the possibility.
(I think, too, of the five years I spent writing and rewriting it—who wouldn’t—and I think, I do admit, of how incredibly amazing it would feel if one day, years into the future, I was able to publish a shiny, new version of it and how much I’d celebrate and probably cry.)
I look at this manuscript every so often, with curiosity.
Could I do it?
Would someone publish it?
Is it worthy, after all these years?
I’ve often heard—and I tell this to writers I teach as well—that for many writers, you need to write some practice novels before you reach the one you are meant to publish. The first novel you write may not be the first novel you publish… and maybe it shouldn’t be. Maybe you are better than that.
In my heart, Imaginary Girls was that novel I was meant to publish first (complicated by Dani Noir, I know, but publishing is nothing if not complicated). So much of what I wrote before Imaginary Girls was what led me to be able to write it. See? See how it was meant to be? If I had to have all that practice time, all those pages, all those years, it’s worth it to me, to have Imaginary Girls.
I regret nothing. Well, I don’t regret putting it aside then.
But hey, what about now? When I’m a better writer and could make something of this story in a way I couldn’t before?
When I have the distance?
Maybe there is a reason I keep opening this old file and peeking at the scenes I wrote so long ago that there are actually two spaces between sentences… (Aaargh! I was young! I didn’t know!)
My heart hurts today because I read some of it. I didn’t let myself read the whole thing—it’s a tome, overwritten and meandering and clocking in at an even 500 pages. But I read the opening pages, and I went through each of the seven sections, reading the last pages of each. By the end of the sections, by the last scene of the book, where my character finds a kind of closure with the person who’d terrorized her throughout her life, I felt a hard, heavy lump in my throat.
But I also had some ideas.
This novel was written before I knew what YA was. Now that I do, now that I have a career here, might that change some things?
I would have to rewrite so much of it.
I would have to reimagine, rethink, re-plot.
I would have to disguise a great many things.
Barely anyone has read this—the manuscript was only ever read by a single (adult-fiction) agent. I put the manuscript aside mainly because it was too close to me, it was too true, it was too painful, and I was unable to separate myself. I wonder now… has enough time passed? Can I be honest, can I be serious, can I be ruthless?
It could be a YA novel, or a middle-grade novel, if I cut out some things—I’m not yet sure.
It could be something.
And yet, do I want to go back there?
• • •
I wonder, fellow writers: Have you ever returned to a long-buried novel that you relegated to live in your closet, or desk drawer, or deep under your bed?
Have you performed a resurrection?
And if you have, did it fail and did you have to shove the corpse back under your bed, or were you able to breathe new life into something that, it turned out, did ultimately deserve to have a day in the sun?
If you don’t follow me on Twitter or see me around Facebook, you may not know that I have some events coming up. They all happen to be on Mondays. Is that my thing? Bringing the creepy to Monday nights?
Anyway, if you are in the DC/Maryland/VA area, New York City, or Northern California, maybe you’ll come see me this month or next? Come spend a Monday with me…
Bethesda, Maryland Monday, May 18, 7pm The Walls Around Us Book Event & Reading Bethesda Library, in conjunction with Politics and Prose
7400 Arlington Rd
I’ll be visiting the Bethesda Library to read from The Walls Around Us and talk about the book, for this event supported by Politics and Prose, who will be selling books on site.
New York City Monday, June 9, 7:30pm SCBWI Metro NY Tuesday Professional Series Finding Your Own Unique Voice: Taking Risks and Being True to Yourself as a Writer
138 West 15th Street
Ground floor, between 6th Avenue & 7th Avenue
New York, NY
I’m speaking in the SCBWI Metro NY chapter’s Tuesday Professional Series on finding your voice as a writer—a voice distinct to you and only you. In this crowded publishing market, we must find ways to stand out, and it’s not about chasing trends or trying to please everybody—so much of it is about being honest, brave, and distinctly yourself. Q&A to follow. You can book a ticket and reserve your seat now. You don’t have to be a member of SCBWI to come.
Palo Alto, California Monday, June 29, 7pm NYMBC Presents YA Thrills & Chills Books, Inc. Palo Alto
74 Town & Country Village
Palo Alto, CA
I’ll be doing a Not Your Mother’s Book Club YA event with Katie Coyle (Vivian Apple at the End of the World) and Lauren Saft (Those Girls) at the Palo Alto Books, Inc. Panel and book signing.
I’ll also be at the ALA conference in San Francisco this June, though not on a Monday. More details on that will be on my website soon!